{"id":5142,"date":"2025-05-11T23:01:07","date_gmt":"2025-05-11T23:01:07","guid":{"rendered":"https:\/\/accademiagallery.org\/?p=5142"},"modified":"2025-05-12T14:37:45","modified_gmt":"2025-05-12T14:37:45","slug":"michelangelos-final-resting-place-in-santa-croce","status":"publish","type":"post","link":"https:\/\/accademiagallery.org\/cs\/michelangelos-final-resting-place-in-santa-croce\/","title":{"rendered":"Michelangelovo m\u00edsto posledn\u00edho odpo\u010dinku v Santa Croce"},"content":{"rendered":"<style>.kb-row-layout-id5142_4513d7-d9 > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id5142_4513d7-d9 > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id5142_4513d7-d9 > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);padding-top:var(--global-kb-spacing-sm, 1.5rem);padding-bottom:var(--global-kb-spacing-sm, 1.5rem);grid-template-columns:minmax(0, 1fr);}.kb-row-layout-id5142_4513d7-d9 > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id5142_4513d7-d9 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}@media all and (max-width: 767px){.kb-row-layout-id5142_4513d7-d9 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id5142_4513d7-d9 alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-1-columns kt-row-layout-equal kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column5142_d09be9-60 > .kt-inside-inner-col,.kadence-column5142_d09be9-60 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column5142_d09be9-60 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column5142_d09be9-60 > .kt-inside-inner-col{flex-direction:column;}.kadence-column5142_d09be9-60 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column5142_d09be9-60 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column5142_d09be9-60{position:relative;}@media all and (max-width: 1024px){.kadence-column5142_d09be9-60 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column5142_d09be9-60 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column5142_d09be9-60\"><div class=\"kt-inside-inner-col\">\n<p>In the heart of Florence stands the Basilica of Santa Croce \u2014 often called the \u201cT<strong>emple of the Italian Glories<\/strong>.\u201d Here rests Michelangelo Buonarroti: the genius behind the David, the Piet\u00e0, and the Sistine Chapel ceiling.<\/p>\n\n\n\n<p>This article takes you inside his story \u2014 from his death in Rome, to the secret journey that brought his body back to Florence.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Santa Croce: Florence\u2019s Sanctuary of Genius<\/h3>\n\n\n\n<p>The Basilica of Santa Croce is the beating heart of Florence city. For Michelangelo, it wasn\u2019t just a church \u2014 it was a return to his origins.<\/p>\n\n\n\n<p>Built in the 13th century by Franciscan friars, Santa Croce became a sanctuary of faith and a symbol of Florentine greatness. Its floors have been walked by poets, scientists, rebels, and artists.<\/p>\n\n\n\n<p>Galileo Galilei is buried here. So is <strong>Niccol\u00f2 Machiavelli<\/strong>. And among them rests Michelangelo Buonarroti \u2014 the master of the Renaissance. You\u2019ll also find the tombs of Gioachino Rossini, composer of <em>The Barber of Seville<\/em>; Guglielmo Marconi, the pioneer of wireless communication; and Carlo Collodi, creator of <em>Pinocchio<\/em>. Buried here too are the composer Luigi Cherubini, the sculptor Lorenzo Ghiberti, and the polymath Leon Battista Alberti.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><em>From Rome to Florence: The Secret Journey of Michelangelo\u2019s Body<\/em><\/h3>\n\n\n<style>.kb-image5142_7a8ab5-c6 .kb-image-has-overlay:after{opacity:0.3;}<\/style>\n<figure class=\"wp-block-kadence-image kb-image5142_7a8ab5-c6 size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"730\" height=\"480\" src=\"https:\/\/accademiagallery.org\/wp-content\/uploads\/2025\/05\/124.jpg\" alt=\"Michelangelo's tomb monument designed by Giorgio Vasari in Santa Croce Basilica, Florence\" class=\"kb-img wp-image-5158\" srcset=\"https:\/\/accademiagallery.org\/wp-content\/uploads\/2025\/05\/124.jpg 730w, https:\/\/accademiagallery.org\/wp-content\/uploads\/2025\/05\/124-300x197.jpg 300w, https:\/\/accademiagallery.org\/wp-content\/uploads\/2025\/05\/124-18x12.jpg 18w, https:\/\/accademiagallery.org\/wp-content\/uploads\/2025\/05\/124-150x99.jpg 150w\" sizes=\"auto, (max-width: 730px) 100vw, 730px\" \/><\/figure>\n\n\n\n<p>Michelangelo Buonarroti died quietly on the night of February 18, 1564, in his simple home on Via Macel de\u2019 Corvi in Rome. As the Eternal City slept, the Renaissance lost one of its brightest lights. By morning, news of his death spread \u2014 not through proclamations, but in whispers.<\/p>\n\n\n\n<p>At his bedside was his loyal assistant Antonio, who remained with him until the very end. There were no grand funerals, no papal processions \u2014 only a quiet room, a crucifix on the wall, and the silence of a man whose art had shaped an era. His body was placed in the Church of Santi Apostoli \u2014 a temporary resting place for one of the greatest minds of the Renaissance.<\/p>\n\n\n\n<p><strong>But Michelangelo\u2019s final wish was clear: to be buried in Florence, the city of his birth.<\/strong><\/p>\n\n\n\n<p>Florence had not forgotten him. Nor had his family.<\/p>\n\n\n\n<p>His nephew, Lionardo Buonarroti, along with Duke Cosimo I de\u2019 Medici, was determined to fulfill that wish. Fearing that the Papal States might block the return of such a revered figure, Lionardo devised a bold plan. Late one night, Michelangelo\u2019s remains were secretly removed from the church, packed into a wooden crate labeled \u201cstudio materials,\u201d and smuggled out of Rome through the Porta del Popolo.<\/p>\n\n\n\n<p>The quiet journey across Italy began \u2014 a journey that would end not in anonymity, but in immortality.<\/p>\n\n\n\n<p>On March 11, 1564, nearly three weeks after his death, Michelangelo finally returned to Florence. There was no public announcement. Yet as if guided by instinct, the people of Florence began to gather. From scholars to sculptors, from merchants to monks, the city moved together in silence toward the Basilica of Santa Croce.<\/p>\n\n\n\n<p>Inside the church that would become his final resting place, the atmosphere was heavy with reverence. Florence had reclaimed its son.<\/p>\n\n\n\n<p>And so, Michelangelo Buonarroti \u2014 the sculptor of the <em>David<\/em>, the painter of the Sistine Chapel, the architect of the Medici Chapels \u2014 was laid to rest in Santa Croce. Not just as a Florentine, but as a symbol of the Renaissance itself.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Who Built Michelangelo\u2019s <strong>burial monument<\/strong>: The Artists, the Family, and the City Behind It<\/h3>\n\n\n\n<p>Michelangelo\u2019s funerary monument was not the work of a single artist \u2014 it was a tribute built by many hands and devoted hearts. At the center of it all stood Giorgio Vasari, a fellow artist, biographer, and admirer who knew the weight of what he had been asked to create.<\/p>\n\n\n\n<p>While Vasari provided the design, the tomb\u2019s execution was entrusted to a group of talented Florentine artists. Among them were <strong>Giovan Battista Naldini<\/strong>, <strong>Valerio Cioli<\/strong>, <strong>Giovanni Bandini<\/strong>, and Giovan <strong>Battista Lorenzi<\/strong>, who helped sculpt the allegorical figures of Painting, Sculpture, and Architecture that adorn the monument.<\/p>\n\n\n\n<p>The project was commissioned by the Buonarroti family, led by Michelangelo\u2019s nephew, Lionardo Buonarroti. Having risked everything to return his uncle\u2019s body to Florence, Lionardo made sure Michelangelo\u2019s dying wish \u2014 to be buried in his beloved hometown \u2014 was honored.<\/p>\n\n\n\n<p>The city itself joined in the effort. Duke Cosimo I de\u2019 Medici, ruler of Florence, lent his support to the project.<\/p>\n\n\n\n<p>To construct the tomb, Florentine artists used the finest materials available \u2014 white Carrara marble, golden-hued Siena stone, and masterful craftsmanship. Every detail, from the sorrowful allegories to the laurel wreaths above his bust, was designed to reflect Michelangelo\u2019s genius in sculpture, painting, and architecture.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">The Meaning Behind Michelangelo\u2019s funerary monument<\/h3>\n\n\n\n<p>At the center of Michelangelo\u2019s tomb, three figures sit in silent sorrow: Painting, Sculpture, and Architecture. Above them, a bust of Michelangelo gazes forward \u2014 a solemn likeness that anchors the composition. Painting bows her head in grief. Sculpture pauses mid-thought, her chisel stilled. Architecture leans on her tools, weary and mourning. Together, they express a powerful truth: when Michelangelo\u2019s hand fell still, the world of art was left in mourning.<\/p>\n\n\n\n<p>Vasari\u2019s original drawings \u2014 preserved in his engraved frontispiece \u2014 reveal plans for a more elaborate tomb. But over time, budget and changing tastes led to a simpler, more intimate design. What remains is no less moving: a precise, emotional work that speaks both of Michelangelo\u2019s greatness and Florence\u2019s love.<\/p>\n\n\n\n<p>One subtle but brilliant touch is the way the grieving arts appear to look toward the bust of Michelangelo. They don\u2019t just mourn him \u2014 they seem to listen.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">The Price of Immortality: What Michelangelo\u2019s Tomb Cost<\/h3>\n\n\n\n<p>The construction of <strong>Michelangelo\u2019s tomb<\/strong> in the <strong>Basilica of Santa Croce<\/strong> cost Florence more than just money. It required time, negotiation, and careful diplomacy. As the city moved to honor the great <strong>Renaissance artist<\/strong>, it also had to navigate the politics of the <strong>Medici court<\/strong> and the watchful eyes of <strong>Rome<\/strong>.<\/p>\n\n\n\n<p>Still, Florence did not hesitate. It commissioned the best artisans of the time. <strong>Giorgio Vasari<\/strong>, who designed and supervised the work, selected <strong>fine Carrara marble<\/strong> and oversaw every detail. The tomb was not just a funeral monument \u2014 it was a reflection of Florence\u2019s own identity as the cultural heart of the <strong>Italian Renaissance<\/strong>.<\/p>\n\n\n\n<p>The financial cost was high, but the symbolic cost was higher. This was a city repaying a debt to one of its greatest geniuses \u2014 not in coin, but in craft, stone, and enduring glory.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Michelangelo the Saint: Reverence, Politics, and Symbolism<\/h2>\n\n\n\n<p>To many Florentines, Michelangelo was more than a master \u2014 he was almost a saint.His austere lifestyle, deep religious devotion, and the moral power of his work gave him an almost sacred status. After his death, stories began to circulate: quiet miracles, visions, whispers of divine favor. Though he was never canonized, pilgrims came to <strong>Santa Croce<\/strong> to visit his tomb, touching the marble, offering prayers \u2014 as if it were a shrine.<\/p>\n\n\n\n<p>But <strong>Michelangelo\u2019s tomb<\/strong> carried not just spiritual weight \u2014 it made a political statement, too. In placing him in <strong>Florence<\/strong>, not Rome, the city was reclaiming its cultural authority. <strong>Giorgio Vasari\u2019s<\/strong> design hints at Roman triumphs, but the message was clear: Michelangelo belonged to Florence.<\/p>\n\n\n\n<p>His posthumous return was more than a burial \u2014 it was an act of quiet rebellion. <strong>Lionardo Buonarroti<\/strong> and his fellow Florentines smuggled his body out of Rome, defying papal control. In doing so, they declared that genius, legacy, and beauty were not owned by the Church or any state. They belonged to the people \u2014 and to Florence most of all.<\/p>\n\n\n\n<p>Today, <strong>Michelangelo\u2019s tomb in Santa Croce<\/strong> still reflects that complex legacy. It is part sanctuary, part symbol. A place where the sacred, the political, and the artistic all come to rest \u2014 together.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Preserving Michelangelo\u2019s Resting Place<\/h2>\n\n\n\n<p>Time may leave legacy untouched, but stone is not so fortunate. Over the centuries, Michelangelo\u2019s <strong>memorial<\/strong> has weathered smoke, soot, moisture, and pollution. Yet just as Florence once fought to bring his body home, the city now fights to preserve his memory \u2014 through the art he left behind.<\/p>\n\n\n\n<p>In recent years, the Opera di Santa Croce \u2014 the institution responsible for the basilica\u2019s care \u2014 launched a major conservation campaign to preserve both Michelangelo\u2019s tomb and the nearby Buonarroti Family Altarpiece.<\/p>\n\n\n\n<p>Using tools finer than a surgeon\u2019s \u2014 laser pulses, solvent gels, and micro-suction devices \u2014 the restorers slowly removed centuries of grime. Inch by inch, the marble came back to life. Faces long veiled in gray revealed subtle emotion once more. Draped stone cloth glowed as it did under <strong>Vasari\u2019s<\/strong> watchful eye.<\/p>\n\n\n\n<p>But these restorations were about more than technique. They were acts of love \u2014 Florence once again honoring its most beloved son. And in that process, the city found something beautiful: traces of Vasari\u2019s original pigments, and even tiny tool marks from the sculptors who had worked in Michelangelo\u2019s shadow.<\/p>\n\n\n\n<p>Through preservation, Santa Croce continues to protect not just a tomb, but a truth: that <strong>Michelangelo\u2019s genius<\/strong>, and Florence\u2019s devotion to it, are both timeless.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">The Restoration of The <strong>tomb of the Master<\/strong><\/h3>\n\n\n\n<p>Restoring <strong>Michelangelo\u2019s tomb<\/strong> is no simple task. Though marble endures, it is still vulnerable \u2014 to time, pollution, and the quiet wear of centuries. Cracks form. Dust settles. Candle smoke stains the stone. Even the placement of the tomb, nestled low against a wall in <strong>Santa Croce<\/strong>, makes access difficult for conservators.<\/p>\n\n\n\n<p>But the challenges weren\u2019t only physical. Restorers also faced ethical questions: How much should be cleaned? How much of the patina of time should remain, out of respect for history?<\/p>\n\n\n\n<p>Despite these difficulties, the restoration achieved something remarkable. The surface contrast of the three allegorical figures \u2014 <strong>Painting, Sculpture, and Architecture<\/strong> \u2014 was revived, restoring the subtle shadows and light that are so central to <strong>Renaissance sculpture<\/strong>.<\/p>\n\n\n\n<p>More moving still were the discoveries made along the way: traces of original pigments hidden in deep crevices, and faint tool marks left by the hands that shaped the tomb nearly 500 years ago. These details brought <strong>Vasari\u2019s design<\/strong> and Michelangelo\u2019s spirit closer to today\u2019s viewers \u2014 as if the tomb itself had begun to speak again.<\/p>\n\n\n\n<p>Through this work, <strong>Florence<\/strong> didn\u2019t just protect a monument. It rediscovered its own history \u2014 and renewed its promise to preserve the legacy of a man whose genius shaped the soul of the Renaissance.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Preserving the Tomb for the Future<\/h3>\n\n\n\n<p>To ensure that <strong>Michelangelo\u2019s tomb<\/strong> endures for future generations, preservation must be constant. Time may move slowly, but its effects are steady \u2014 and the marble that tells Michelangelo\u2019s story is fragile with age.<\/p>\n\n\n\n<p>Restorers now follow detailed maintenance plans to monitor the tomb inside the <strong>Basilica of Santa Croce<\/strong>. They watch for micro-cracks, changes in humidity, and environmental pollutants. Advanced tools are used not just to clean, but to protect \u2014 with conservation methods evolving as science improves.<\/p>\n\n\n\n<p>But technology alone isn\u2019t enough. Education and awareness are just as important. Visitors must understand that they are not walking through a museum, but a sacred site \u2014 one that holds the remains and the memory of one of the greatest artists in human history.<\/p>\n\n\n\n<p>Through these combined efforts \u2014 scientific care, cultural respect, and public responsibility \u2014 <strong>Florence<\/strong> continues to fulfill a vow made in 1564: that the genius of <strong>Michelangelo Buonarroti<\/strong> will not fade, but will be honored and protected for centuries to come.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Giovanni Battista Pera\u2019s Tribute to Michelangelo\u2019s Tomb<\/h3>\n\n\n\n<p><strong>Michelangelo Buonarroti\u2019s tomb<\/strong> in <strong>Santa Croce<\/strong> is more than a burial site \u2014 it\u2019s a monument to artistic greatness. Designed by <strong>Giorgio Vasari<\/strong> and adorned with expressive marble figures, the tomb celebrates Michelangelo\u2019s life, talent, and impact on the world of <strong>Renaissance art<\/strong>.<\/p>\n\n\n\n<p>Over the centuries, artists and scholars have sought to preserve and share that impact through reproductions. From detailed etchings to full-scale replicas, <strong>Michelangelo\u2019s tomb<\/strong> has been recreated in drawings, plaster, and prints \u2014 making his memory accessible far beyond the walls of Santa Croce.<\/p>\n\n\n\n<p>One of the most admired of these reproductions was a luxurious etching by <strong>Giovanni Battista Pera<\/strong>, a Florentine engraver active in the late 18th century. Renowned for his detailed depictions of architecture and sculpture, <strong>Pera<\/strong> captured the emotion and grandeur of Michelangelo\u2019s tomb with extraordinary precision.<\/p>\n\n\n\n<p>Today, reproductions of the tomb and its sculptures can be found in museums across Italy and beyond, including the <strong>Galleria dell\u2019Accademia<\/strong>. These replicas allow admirers to study Michelangelo\u2019s legacy, reflect on his symbolic imagery, and feel the power of Renaissance ideals \u2014 even from a distance.<\/p>\n\n\n<style>.kb-row-layout-id5142_e74627-61 > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id5142_e74627-61 > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id5142_e74627-61 > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);padding-top:var(--global-kb-spacing-sm, 1.5rem);padding-bottom:var(--global-kb-spacing-sm, 1.5rem);grid-template-columns:minmax(0, 1fr);}.kb-row-layout-id5142_e74627-61 > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id5142_e74627-61 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}@media all and (max-width: 767px){.kb-row-layout-id5142_e74627-61 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id5142_e74627-61 alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-1-columns kt-row-layout-equal kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column5142_657d7e-5f > .kt-inside-inner-col,.kadence-column5142_657d7e-5f > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column5142_657d7e-5f > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column5142_657d7e-5f > .kt-inside-inner-col{flex-direction:column;}.kadence-column5142_657d7e-5f > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column5142_657d7e-5f > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column5142_657d7e-5f{position:relative;}@media all and (max-width: 1024px){.kadence-column5142_657d7e-5f > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column5142_657d7e-5f > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column5142_657d7e-5f\"><div class=\"kt-inside-inner-col\">\n<iframe loading=\"lazy\" width=\"760\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/ioVNFqQ5Zlg?si=NeQKn6FWScftjPic\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/div>\n\n<\/div><\/div><\/div><\/div>\n\n<\/div><\/div>\n\n<style>.kb-row-layout-id2260_01476f-1c > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id2260_01476f-1c > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id2260_01476f-1c > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);max-width:1290px;padding-top:50px;padding-bottom:50px;grid-template-columns:minmax(0, 1fr);}.kb-row-layout-id2260_01476f-1c{background-color:#d8d6d6;}.kb-row-layout-id2260_01476f-1c > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id2260_01476f-1c > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}@media all and (max-width: 767px){.kb-row-layout-id2260_01476f-1c > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id2260_01476f-1c alignfull kt-row-has-bg wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-1-columns kt-row-layout-equal kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top kb-theme-content-width\">\n<style>.kadence-column2260_8e0eed-8e > .kt-inside-inner-col,.kadence-column2260_8e0eed-8e > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column2260_8e0eed-8e > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column2260_8e0eed-8e > .kt-inside-inner-col{flex-direction:column;}.kadence-column2260_8e0eed-8e > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column2260_8e0eed-8e > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column2260_8e0eed-8e{position:relative;}@media all and (max-width: 1024px){.kadence-column2260_8e0eed-8e > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column2260_8e0eed-8e > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column2260_8e0eed-8e inner-column-1\"><div class=\"kt-inside-inner-col\"><style>.wp-block-kadence-advancedheading.kt-adv-heading2260_787e7e-b5, .wp-block-kadence-advancedheading.kt-adv-heading2260_787e7e-b5[data-kb-block=\"kb-adv-heading2260_787e7e-b5\"]{font-size:20px;font-style:normal;}.wp-block-kadence-advancedheading.kt-adv-heading2260_787e7e-b5 mark.kt-highlight, .wp-block-kadence-advancedheading.kt-adv-heading2260_787e7e-b5[data-kb-block=\"kb-adv-heading2260_787e7e-b5\"] mark.kt-highlight{font-style:normal;color:#f76a0c;-webkit-box-decoration-break:clone;box-decoration-break:clone;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;}.wp-block-kadence-advancedheading.kt-adv-heading2260_787e7e-b5 img.kb-inline-image, .wp-block-kadence-advancedheading.kt-adv-heading2260_787e7e-b5[data-kb-block=\"kb-adv-heading2260_787e7e-b5\"] img.kb-inline-image{width:150px;vertical-align:baseline;}<\/style>\n<h3 class=\"kt-adv-heading2260_787e7e-b5 wp-block-kadence-advancedheading\" data-kb-block=\"kb-adv-heading2260_787e7e-b5\">Links you might find useful<\/h3>\n\n\n<style>.kb-row-layout-id2260_ec099a-ca > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id2260_ec099a-ca > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id2260_ec099a-ca > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);padding-top:var(--global-kb-spacing-sm, 1.5rem);padding-bottom:var(--global-kb-spacing-sm, 1.5rem);}.kb-row-layout-id2260_ec099a-ca > .kt-row-column-wrap > div:not(.added-for-specificity){grid-column:initial;}.kb-row-layout-id2260_ec099a-ca > .kt-row-column-wrap{grid-template-columns:repeat(4, minmax(0, 1fr));}.kb-row-layout-id2260_ec099a-ca > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id2260_ec099a-ca > .kt-row-column-wrap > div:not(.added-for-specificity){grid-column:initial;}}@media all and (max-width: 1024px){.kb-row-layout-id2260_ec099a-ca > .kt-row-column-wrap{grid-template-columns:repeat(4, minmax(0, 1fr));}}@media all and (max-width: 767px){.kb-row-layout-id2260_ec099a-ca > .kt-row-column-wrap > div:not(.added-for-specificity){grid-column:initial;}.kb-row-layout-id2260_ec099a-ca > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id2260_ec099a-ca alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-4-columns kt-row-layout-equal kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column2260_e55f7c-5f > .kt-inside-inner-col,.kadence-column2260_e55f7c-5f > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column2260_e55f7c-5f > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column2260_e55f7c-5f > .kt-inside-inner-col{flex-direction:column;}.kadence-column2260_e55f7c-5f > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column2260_e55f7c-5f > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column2260_e55f7c-5f{position:relative;}@media all and (max-width: 1024px){.kadence-column2260_e55f7c-5f > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column2260_e55f7c-5f > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column2260_e55f7c-5f inner-column-1\"><div class=\"kt-inside-inner-col\"><style>.wp-block-kadence-advancedheading.kt-adv-heading2260_d51a5f-a5, .wp-block-kadence-advancedheading.kt-adv-heading2260_d51a5f-a5[data-kb-block=\"kb-adv-heading2260_d51a5f-a5\"]{font-size:17px;font-style:normal;}.wp-block-kadence-advancedheading.kt-adv-heading2260_d51a5f-a5 mark.kt-highlight, .wp-block-kadence-advancedheading.kt-adv-heading2260_d51a5f-a5[data-kb-block=\"kb-adv-heading2260_d51a5f-a5\"] mark.kt-highlight{font-style:normal;color:#f76a0c;-webkit-box-decoration-break:clone;box-decoration-break:clone;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;}.wp-block-kadence-advancedheading.kt-adv-heading2260_d51a5f-a5 img.kb-inline-image, .wp-block-kadence-advancedheading.kt-adv-heading2260_d51a5f-a5[data-kb-block=\"kb-adv-heading2260_d51a5f-a5\"] img.kb-inline-image{width:150px;vertical-align:baseline;}<\/style>\n<h3 class=\"kt-adv-heading2260_d51a5f-a5 wp-block-kadence-advancedheading\" data-kb-block=\"kb-adv-heading2260_d51a5f-a5\">Tickets &amp; Tours<\/h3>\n\n\n\n<p><a href=\"https:\/\/www.accademiadavidtickets.com\/tours\/\" target=\"_blank\" rel=\"noreferrer noopener\">Guided Tours<\/a><br><a href=\"http:\/\/accademiagallery.org\/accademia-gallery-skip-the-line-tickets\/\" target=\"_blank\" rel=\"noreferrer noopener\">Accademia Gallery skip the line tickets<\/a><br><a href=\"http:\/\/accademiagallery.org\/blog\/\" target=\"_blank\" rel=\"noreferrer noopener\">Blog<\/a><\/p>\n<\/div><\/div>\n\n\n<style>.kadence-column2260_ea6d4b-4b > .kt-inside-inner-col,.kadence-column2260_ea6d4b-4b > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column2260_ea6d4b-4b > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column2260_ea6d4b-4b > .kt-inside-inner-col{flex-direction:column;}.kadence-column2260_ea6d4b-4b > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column2260_ea6d4b-4b > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column2260_ea6d4b-4b{position:relative;}@media all and (max-width: 1024px){.kadence-column2260_ea6d4b-4b > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column2260_ea6d4b-4b > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column2260_ea6d4b-4b inner-column-2\"><div class=\"kt-inside-inner-col\"><style>.wp-block-kadence-advancedheading.kt-adv-heading2260_fa93f1-e8, .wp-block-kadence-advancedheading.kt-adv-heading2260_fa93f1-e8[data-kb-block=\"kb-adv-heading2260_fa93f1-e8\"]{font-size:17px;font-style:normal;}.wp-block-kadence-advancedheading.kt-adv-heading2260_fa93f1-e8 mark.kt-highlight, .wp-block-kadence-advancedheading.kt-adv-heading2260_fa93f1-e8[data-kb-block=\"kb-adv-heading2260_fa93f1-e8\"] mark.kt-highlight{font-style:normal;color:#f76a0c;-webkit-box-decoration-break:clone;box-decoration-break:clone;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;}.wp-block-kadence-advancedheading.kt-adv-heading2260_fa93f1-e8 img.kb-inline-image, .wp-block-kadence-advancedheading.kt-adv-heading2260_fa93f1-e8[data-kb-block=\"kb-adv-heading2260_fa93f1-e8\"] img.kb-inline-image{width:150px;vertical-align:baseline;}<\/style>\n<h3 class=\"kt-adv-heading2260_fa93f1-e8 wp-block-kadence-advancedheading\" data-kb-block=\"kb-adv-heading2260_fa93f1-e8\">Accademia Gallery<\/h3>\n\n\n\n<p><a href=\"http:\/\/accademiagallery.org\/accademia-gallery-florence-useful-info\/\" target=\"_blank\" rel=\"noreferrer noopener\">History<\/a><br><a href=\"http:\/\/accademiagallery.org\/museum-halls\/\" target=\"_blank\" rel=\"noreferrer noopener\">Museum Halls<\/a><br><a href=\"http:\/\/accademiagallery.org\/accademia-gallery-artworks\/\" target=\"_blank\" rel=\"noreferrer noopener\">Artworks<\/a><br><a href=\"https:\/\/www.galleriaaccademiafirenze.it\/en\/exhibitions-events\/\" target=\"_blank\" rel=\"noreferrer noopener\">Exhibitions<\/a><\/p>\n<\/div><\/div>\n\n\n<style>.kadence-column2260_4cc6fe-21 > .kt-inside-inner-col,.kadence-column2260_4cc6fe-21 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column2260_4cc6fe-21 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column2260_4cc6fe-21 > .kt-inside-inner-col{flex-direction:column;}.kadence-column2260_4cc6fe-21 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column2260_4cc6fe-21 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column2260_4cc6fe-21{position:relative;}@media all and (max-width: 1024px){.kadence-column2260_4cc6fe-21 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column2260_4cc6fe-21 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column2260_4cc6fe-21 inner-column-3\"><div class=\"kt-inside-inner-col\"><style>.wp-block-kadence-advancedheading.kt-adv-heading2260_4c264c-72, .wp-block-kadence-advancedheading.kt-adv-heading2260_4c264c-72[data-kb-block=\"kb-adv-heading2260_4c264c-72\"]{font-size:17px;font-style:normal;}.wp-block-kadence-advancedheading.kt-adv-heading2260_4c264c-72 mark.kt-highlight, .wp-block-kadence-advancedheading.kt-adv-heading2260_4c264c-72[data-kb-block=\"kb-adv-heading2260_4c264c-72\"] mark.kt-highlight{font-style:normal;color:#f76a0c;-webkit-box-decoration-break:clone;box-decoration-break:clone;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;}.wp-block-kadence-advancedheading.kt-adv-heading2260_4c264c-72 img.kb-inline-image, .wp-block-kadence-advancedheading.kt-adv-heading2260_4c264c-72[data-kb-block=\"kb-adv-heading2260_4c264c-72\"] img.kb-inline-image{width:150px;vertical-align:baseline;}<\/style>\n<h3 class=\"kt-adv-heading2260_4c264c-72 wp-block-kadence-advancedheading\" data-kb-block=\"kb-adv-heading2260_4c264c-72\">Visitor Information<\/h3>\n\n\n\n<p><a href=\"http:\/\/accademiagallery.org\/accademia-gallery-hours-2022\/\" target=\"_blank\" rel=\"noreferrer noopener\">Opening Hours<\/a><br><a href=\"http:\/\/accademiagallery.org\/tickets-for-accademia-gallery-2022\/\" target=\"_blank\" rel=\"noreferrer noopener\">Tickets and Tours<\/a><br><a href=\"https:\/\/www.galleriaaccademiafirenze.it\/en\/accademia-online\/\" target=\"_blank\" rel=\"noreferrer noopener\">Accademia Online<\/a><br><a href=\"https:\/\/www.galleriaaccademiafirenze.it\/en\/accademia-online\/#\" target=\"_blank\" rel=\"noreferrer noopener\">Radio Accademia<\/a><\/p>\n<\/div><\/div>\n\n\n<style>.kadence-column2260_540ef8-7e > .kt-inside-inner-col,.kadence-column2260_540ef8-7e > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column2260_540ef8-7e > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column2260_540ef8-7e > .kt-inside-inner-col{flex-direction:column;}.kadence-column2260_540ef8-7e > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column2260_540ef8-7e > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column2260_540ef8-7e{position:relative;}@media all and (max-width: 1024px){.kadence-column2260_540ef8-7e > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column2260_540ef8-7e > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column2260_540ef8-7e inner-column-4\"><div class=\"kt-inside-inner-col\"><style>.wp-block-kadence-advancedheading.kt-adv-heading2260_109cdc-ab, .wp-block-kadence-advancedheading.kt-adv-heading2260_109cdc-ab[data-kb-block=\"kb-adv-heading2260_109cdc-ab\"]{font-size:17px;font-style:normal;}.wp-block-kadence-advancedheading.kt-adv-heading2260_109cdc-ab mark.kt-highlight, .wp-block-kadence-advancedheading.kt-adv-heading2260_109cdc-ab[data-kb-block=\"kb-adv-heading2260_109cdc-ab\"] mark.kt-highlight{font-style:normal;color:#f76a0c;-webkit-box-decoration-break:clone;box-decoration-break:clone;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;}.wp-block-kadence-advancedheading.kt-adv-heading2260_109cdc-ab img.kb-inline-image, .wp-block-kadence-advancedheading.kt-adv-heading2260_109cdc-ab[data-kb-block=\"kb-adv-heading2260_109cdc-ab\"] img.kb-inline-image{width:150px;vertical-align:baseline;}<\/style>\n<h3 class=\"kt-adv-heading2260_109cdc-ab wp-block-kadence-advancedheading\" data-kb-block=\"kb-adv-heading2260_109cdc-ab\">Florence Attractions<\/h3>\n\n\n\n<p><a href=\"http:\/\/accademiagallery.org\/uffizi-gallery\/\" target=\"_blank\" rel=\"noreferrer noopener\">Uffizi Gallery<\/a><br><a href=\"http:\/\/accademiagallery.org\/duomo-florence-2\/\" target=\"_blank\" rel=\"noreferrer noopener\">Duomo Florence<\/a><br><a href=\"http:\/\/accademiagallery.org\/pitti-palace-palazzo-pitti\/\" target=\"_blank\" rel=\"noreferrer noopener\">Palazzo Pitti<\/a><br><a href=\"https:\/\/www.visitflorencemuseums.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">More Florence Attractions<\/a><br><\/p>\n<\/div><\/div>\n\n<\/div><\/div><\/div><\/div>\n\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>In the heart of Florence stands the Basilica of Santa Croce \u2014 often called the \u201cTemple of the Italian Glories.\u201d Here rests Michelangelo Buonarroti: the genius behind the David, the Piet\u00e0, and the Sistine Chapel ceiling. This article takes you inside his story \u2014 from his death in Rome, to the secret journey that brought [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":5157,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-5142","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articles"],"blocksy_meta":[],"_links":{"self":[{"href":"https:\/\/accademiagallery.org\/cs\/wp-json\/wp\/v2\/posts\/5142","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/accademiagallery.org\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/accademiagallery.org\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/accademiagallery.org\/cs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/accademiagallery.org\/cs\/wp-json\/wp\/v2\/comments?post=5142"}],"version-history":[{"count":6,"href":"https:\/\/accademiagallery.org\/cs\/wp-json\/wp\/v2\/posts\/5142\/revisions"}],"predecessor-version":[{"id":5159,"href":"https:\/\/accademiagallery.org\/cs\/wp-json\/wp\/v2\/posts\/5142\/revisions\/5159"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/accademiagallery.org\/cs\/wp-json\/wp\/v2\/media\/5157"}],"wp:attachment":[{"href":"https:\/\/accademiagallery.org\/cs\/wp-json\/wp\/v2\/media?parent=5142"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/accademiagallery.org\/cs\/wp-json\/wp\/v2\/categories?post=5142"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/accademiagallery.org\/cs\/wp-json\/wp\/v2\/tags?post=5142"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}