{"id":2836,"date":"2023-04-19T15:13:20","date_gmt":"2023-04-19T15:13:20","guid":{"rendered":"http:\/\/accademiagallery.org\/?p=2836"},"modified":"2023-06-20T20:25:04","modified_gmt":"2023-06-20T20:25:04","slug":"que-ver-en-la-galeria-de-la-academia-de-florencia","status":"publish","type":"post","link":"https:\/\/accademiagallery.org\/es\/what-to-see-in-accademia-gallery-in-florence\/","title":{"rendered":"Qu\u00e9 ver en la Galer\u00eda de la Academia de Florencia"},"content":{"rendered":"<style>.wp-block-kadence-advancedheading.kt-adv-heading_b5d51e-9d, .wp-block-kadence-advancedheading.kt-adv-heading_b5d51e-9d[data-kb-block=\"kb-adv-heading_b5d51e-9d\"]{font-style:normal;text-transform:uppercase;}.wp-block-kadence-advancedheading.kt-adv-heading_b5d51e-9d mark.kt-highlight, .wp-block-kadence-advancedheading.kt-adv-heading_b5d51e-9d[data-kb-block=\"kb-adv-heading_b5d51e-9d\"] mark.kt-highlight{font-style:normal;color:#f76a0c;-webkit-box-decoration-break:clone;box-decoration-break:clone;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;}.wp-block-kadence-advancedheading.kt-adv-heading_b5d51e-9d img.kb-inline-image, .wp-block-kadence-advancedheading.kt-adv-heading_b5d51e-9d[data-kb-block=\"kb-adv-heading_b5d51e-9d\"] img.kb-inline-image{width:150px;vertical-align:baseline;}<\/style>\n<h1 class=\"kt-adv-heading_b5d51e-9d wp-block-kadence-advancedheading\" data-kb-block=\"kb-adv-heading_b5d51e-9d\">What to see in Accademia Gallery in Florence<\/h1>\n\n\n\n<p>The <strong>Accademia Gallery<\/strong> is one of the most important museums in <strong>Florence<\/strong>, with art and sculptural masterpieces by leading<strong> Renaissance artists<\/strong>, including the fantastic <strong><a href=\"http:\/\/accademiagallery.org\/the-david-by-michelangelo\/\" target=\"_blank\" data-type=\"page\" data-id=\"195\" rel=\"noreferrer noopener\">David by Michelangelo.<\/a><\/strong><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">History of the Accademia Gallery in Florence<\/h2>\n\n\n\n<p>The <strong>Accademia Gallery<\/strong> was started by <strong>Grand Duke Leopold of Lorraine<\/strong> in <strong>1784<\/strong> in what was formerly the <strong>San Matteo<\/strong> <strong>hospital<\/strong> and the S<strong>an Niccol\u00f2 di Cafaggio convent<\/strong>. He wanted to promote the <strong>Academy of Fine Arts<\/strong> ( <em>The Accademia di Belle Arti<\/em> ) like <strong>Cosimo de&#8217; Medici <\/strong>did in the <strong>1500<\/strong>s. It was intended to be a place where fine arts students could be inspired by the masterpieces of the great Renaissance artists, as well as an exhibition of artistic casts and models.<\/p>\n\n\n\n<p>In the <strong>19th<\/strong> century, following the closure of many convents and monasteries by <strong>Napoleon<\/strong>, other paintings and sculptures were brought to this<strong> Museum<\/strong>. These were mainly religious works, often characterized by a bright gold background.<\/p>\n\n\n\n<p>The <strong>Accademia Gallery in Florence<\/strong> Gallery is one of the most important museums of Florentine Renaissance painting, covering the period from the 13th century to the end of the 16th century.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Visit the Accademia Gallery in Florence<\/h2>\n\n\n<style>.kb-row-layout-id_93d16f-b1 > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id_93d16f-b1 > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id_93d16f-b1 > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);padding-top:var(--global-kb-spacing-sm, 1.5rem);padding-bottom:var(--global-kb-spacing-sm, 1.5rem);grid-template-columns:minmax(0, 1fr);}.kb-row-layout-id_93d16f-b1 > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id_93d16f-b1 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}@media all and (max-width: 767px){.kb-row-layout-id_93d16f-b1 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id_93d16f-b1 alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-1-columns kt-row-layout-equal kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column_08bd95-f2 > .kt-inside-inner-col,.kadence-column_08bd95-f2 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column_08bd95-f2 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column_08bd95-f2 > .kt-inside-inner-col{flex-direction:column;}.kadence-column_08bd95-f2 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column_08bd95-f2 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column_08bd95-f2{position:relative;}@media all and (max-width: 1024px){.kadence-column_08bd95-f2 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column_08bd95-f2 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column_08bd95-f2\"><div class=\"kt-inside-inner-col\"><style>.kb-image_e08fb4-4d .kb-image-has-overlay:after{opacity:0.3;}<\/style>\n<div class=\"wp-block-kadence-image kb-image_e08fb4-4d\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"730\" height=\"480\" src=\"http:\/\/accademiagallery.org\/wp-content\/uploads\/2023\/04\/22.jpg\" alt=\"Accademia Gallery in Florence\" class=\"kb-img wp-image-3109\" srcset=\"https:\/\/accademiagallery.org\/wp-content\/uploads\/2023\/04\/22.jpg 730w, https:\/\/accademiagallery.org\/wp-content\/uploads\/2023\/04\/22-300x197.jpg 300w, https:\/\/accademiagallery.org\/wp-content\/uploads\/2023\/04\/22-18x12.jpg 18w\" sizes=\"auto, (max-width: 730px) 100vw, 730px\" \/><figcaption>A line of people is waiting to enter the Accademia Gallery in Florence via Ricasoli.<\/figcaption><\/figure><\/div>\n<\/div><\/div>\n\n<\/div><\/div>\n\n\n<p>Also known simply as the <strong>Accademia<\/strong>, the Gallery is near the <strong>Piazza San Marco<\/strong>. The main entrance is located on <strong>Via Ricasoli<\/strong>, only a few blocks from the <strong><a href=\"http:\/\/accademiagallery.org\/duomo-florence-2\/\" target=\"_blank\" data-type=\"page\" data-id=\"580\" rel=\"noreferrer noopener\">Florence Cathedral<\/a><\/strong>.<\/p>\n\n\n\n<p>Passing by, it&#8217;s hard not to notice the long lines of visitors waiting to enter and admire the magnificent artistic masterpieces preserved on the two floors of this<strong> Museum<\/strong>.<\/p>\n\n\n<style>.kb-row-layout-id_cf34ee-46 > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id_cf34ee-46 > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id_cf34ee-46 > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);padding-top:var(--global-kb-spacing-sm, 1.5rem);padding-bottom:var(--global-kb-spacing-sm, 1.5rem);grid-template-columns:minmax(0, 1fr);}.kb-row-layout-id_cf34ee-46 > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id_cf34ee-46 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}@media all and (max-width: 767px){.kb-row-layout-id_cf34ee-46 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id_cf34ee-46 aligncenter wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-1-columns kt-row-layout-equal kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column_d0d215-90 > .kt-inside-inner-col,.kadence-column_d0d215-90 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column_d0d215-90 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column_d0d215-90 > .kt-inside-inner-col{flex-direction:column;}.kadence-column_d0d215-90 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column_d0d215-90 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column_d0d215-90{position:relative;}@media all and (max-width: 1024px){.kadence-column_d0d215-90 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column_d0d215-90 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column_d0d215-90\"><div class=\"kt-inside-inner-col\">\n<div data-tiqets-widget=\"discovery\" data-cards-layout=\"responsive\" data-content-type=\"product\" data-item_count=\"3\" data-destination-type=\"venue\" data-destination-id=\"145746\" data-partner=\"accademiagallery.org\"><\/div><script defer src=\"https:\/\/widgets.tiqets.com\/loader.js\"><\/script>\n<\/div><\/div>\n\n<\/div><\/div>\n\n\n<h2 class=\"wp-block-heading\">Hall of the Colossus of the Accademia<\/h2>\n\n\n\n<p>The first room you will enter in the Museum is the <strong><a href=\"http:\/\/accademiagallery.org\/hall-of-the-colossus\/\" target=\"_blank\" data-type=\"page\" data-id=\"349\" rel=\"noreferrer noopener\">Colossus room<\/a><\/strong>. The name comes from a plaster reproduction of part of the <strong>Dioscuri sculpture <\/strong>from <strong>Montevallo<\/strong>. The sculptural group is located in the middle of the fountain in <strong>Piazza del Quirinale<\/strong> in Rome. It represents the sons of <strong>Zeus<\/strong>, <strong>Castor<\/strong>, and <strong>Pollux<\/strong>, and there is also an obelisk in the middle. The copy remained in the <strong>Accademia<\/strong> until the beginning of the twentieth century before being transferred to the plaster cast Gallery of the <strong>Liceo Artistico di Porta Romana<\/strong> in <strong>Florence<\/strong>.<\/p>\n\n\n\n<p>In the center of the room, instead, the copy of &#8220;<strong><a href=\"http:\/\/accademiagallery.org\/giambologna-the-rape-of-the-sabine-women\/\" target=\"_blank\" data-type=\"page\" data-id=\"199\" rel=\"noreferrer noopener\">The Rape of the Sabine Women<\/a><\/strong>&#8221; by <strong>Giambologna<\/strong>, considered the official sculptor of the Medici family, stands. Despite the Italianized name, he was a Flemish artist <strong>Jean de Boulogne<\/strong>. The original sculpture, in this case, is located under the <strong>Loggia dei Lanzi in Piazza della Signoria<\/strong>.<\/p>\n\n\n\n<p>The walls of the <strong>Colossus<\/strong> room exhibit paintings from the fifteenth and sixteenth centuries, including works by <strong>Paolo Uccello<\/strong>, <strong><a href=\"https:\/\/www.visituffizi.com\/sandro-botticelli\/\" target=\"_blank\" rel=\"noreferrer noopener\">Sandro Botticelli<\/a><\/strong>, <strong>Perugino<\/strong>, <strong>Ghirlandaio<\/strong>, and <strong>Filippo Lippi<\/strong>.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Hall of the Prisoners<\/h2>\n\n\n\n<p>The <strong><a href=\"http:\/\/accademiagallery.org\/hall-of-the-prisoners\/\" target=\"_blank\" data-type=\"page\" data-id=\"351\" rel=\"noreferrer noopener\">Sala dei Prigioni<\/a><\/strong> (or <strong>Hall of the Prisoners<\/strong>) is another important room in the Accademia Gallery. Its name comes from the four <strong><a href=\"http:\/\/accademiagallery.org\/hall-of-the-prisoners\/\" target=\"_blank\" data-type=\"page\" data-id=\"351\" rel=\"noreferrer noopener\">unfinished sculptures of prisoners<\/a><\/strong> (or slaves), which were intended to be part of the glorious tomb of <strong>Pope Julius II<\/strong>, but were never completed by <strong><a href=\"https:\/\/www.visituffizi.com\/michelangelo\/\" target=\"_blank\" rel=\"noreferrer noopener\">Michelangelo<\/a><\/strong>.<\/p>\n\n\n\n<p>The <strong>Sala dei Prigioni<\/strong> (<strong>Hall of Prisoners<\/strong>), long and narrow, owes its name to the unfinished sculptures by <strong>Michelangel<\/strong>o, initially intended for the tomb of <strong>Julius II<\/strong> della Rovere in the <strong><a href=\"https:\/\/www.visitromemuseums.com\/st-peters-basilica\/\" target=\"_blank\" rel=\"noreferrer noopener\">Basilica of San Pietro<\/a><\/strong>. The project was interrupted due to the costs and the massive work involved. The mausoleum was supposed to include over <strong>40 figures<\/strong> on different levels.<\/p>\n\n\n<style>.kb-row-layout-id_61ae4a-c6 > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id_61ae4a-c6 > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id_61ae4a-c6 > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);padding-top:var(--global-kb-spacing-sm, 1.5rem);padding-bottom:var(--global-kb-spacing-sm, 1.5rem);grid-template-columns:minmax(0, 1fr);}.kb-row-layout-id_61ae4a-c6 > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id_61ae4a-c6 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}@media all and (max-width: 767px){.kb-row-layout-id_61ae4a-c6 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id_61ae4a-c6 alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-1-columns kt-row-layout-equal kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column_23d5a1-d9 > .kt-inside-inner-col,.kadence-column_23d5a1-d9 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column_23d5a1-d9 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column_23d5a1-d9 > .kt-inside-inner-col{flex-direction:column;}.kadence-column_23d5a1-d9 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column_23d5a1-d9 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column_23d5a1-d9{position:relative;}@media all and (max-width: 1024px){.kadence-column_23d5a1-d9 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column_23d5a1-d9 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column_23d5a1-d9\"><div class=\"kt-inside-inner-col\">\n<script async src=\"https:\/\/pagead2.googlesyndication.com\/pagead\/js\/adsbygoogle.js?client=ca-pub-5190790382711375\"\n     crossorigin=\"anonymous\"><\/script>\n<!-- Acc_org -->\n<ins class=\"adsbygoogle\"\n     style=\"display:block\"\n     data-ad-client=\"ca-pub-5190790382711375\"\n     data-ad-slot=\"7280373348\"\n     data-ad-format=\"auto\"\n     data-full-width-responsive=\"true\"><\/ins>\n<script>\n     (adsbygoogle = window.adsbygoogle || []).push({});\n<\/script>\n<\/div><\/div>\n\n<\/div><\/div>\n\n\n<p><strong>Michelangelo<\/strong> initially considered reusing the <strong>Prigioni<\/strong> (<strong>Prisoners<\/strong>) sculptures to adorn the Moses of the church of <strong>San Pietro<\/strong> in Vincoli in Rome, intending to symbolize trapped souls in the bodies. Once again, however, the idea did not work out. After the artist&#8217;s death, the sculptures were donated to the <strong>Medici family<\/strong>. Their architect <strong>Buontalenti<\/strong> finally arranged them in the Grotta Grande of the <strong><a href=\"https:\/\/www.visitflorencemuseums.com\/boboli-gardens\/\" target=\"_blank\" rel=\"noreferrer noopener\">Boboli Gardens<\/a><\/strong>. Over time, the <strong>Prigioni sculptures<\/strong> deteriorated, so in <strong>1908<\/strong> they were permanently placed in the <strong>Accademia Gallery in Florence<\/strong><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Prisons or Slaves of Accademia Gallery in Florence<\/h2>\n\n\n<style>.kb-row-layout-id_b9c163-bb > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id_b9c163-bb > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id_b9c163-bb > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);padding-top:var(--global-kb-spacing-sm, 1.5rem);padding-bottom:var(--global-kb-spacing-sm, 1.5rem);grid-template-columns:minmax(0, 1fr);}.kb-row-layout-id_b9c163-bb > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id_b9c163-bb > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}@media all and (max-width: 767px){.kb-row-layout-id_b9c163-bb > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id_b9c163-bb alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-1-columns kt-row-layout-equal kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column_1fe3e9-77 > .kt-inside-inner-col,.kadence-column_1fe3e9-77 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column_1fe3e9-77 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column_1fe3e9-77 > .kt-inside-inner-col{flex-direction:column;}.kadence-column_1fe3e9-77 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column_1fe3e9-77 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column_1fe3e9-77{position:relative;}@media all and (max-width: 1024px){.kadence-column_1fe3e9-77 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column_1fe3e9-77 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column_1fe3e9-77\"><div class=\"kt-inside-inner-col\"><style>.kb-image_53ce70-44 .kb-image-has-overlay:after{opacity:0.3;}<\/style>\n<div class=\"wp-block-kadence-image kb-image_53ce70-44\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"730\" height=\"480\" src=\"http:\/\/accademiagallery.org\/wp-content\/uploads\/2023\/04\/25.jpg\" alt=\"Accademia Gallery in Florence\" class=\"kb-img wp-image-3110\" srcset=\"https:\/\/accademiagallery.org\/wp-content\/uploads\/2023\/04\/25.jpg 730w, https:\/\/accademiagallery.org\/wp-content\/uploads\/2023\/04\/25-300x197.jpg 300w, https:\/\/accademiagallery.org\/wp-content\/uploads\/2023\/04\/25-18x12.jpg 18w\" sizes=\"auto, (max-width: 730px) 100vw, 730px\" \/><figcaption>The Hall of the Prisoners &#8211; Accademia Gallery in Florence<\/figcaption><\/figure><\/div>\n<\/div><\/div>\n\n<\/div><\/div>\n\n\n<p>Initially, there were supposed to be <strong>twenty Prigioni<\/strong> (Prisoners), with the features of prisoners chained and leaning against the base of the pillars. Perhaps their purpose was to allude to the provinces governed by <strong>Pope Julius II<\/strong>, or they constituted an allegory of all the Arts.<\/p>\n\n\n\n<p>The executed <strong>Prigioni <\/strong>do not all have the same finish or even the same stage of artistry, which is why <strong>Michelangelo<\/strong>&#8216;s working technique can be inferred. He preferred to start from the front of the work and then continue laterally.<\/p>\n\n\n\n<p>In the <strong>Accademia Gallery in Florence<\/strong>, four of the existing <strong>six Prigioni<\/strong> (Prisoners) are positioned. The first two that <strong>Michelangelo<\/strong> sculpted represent the Dying Slave and the <strong>Rebel Slave<\/strong>, and they are practically finished, but to see them, one must go to the <strong>Louvre<\/strong> in <strong>Paris<\/strong>.<\/p>\n\n\n\n<p>The <strong>Prigioni <\/strong>(Prisoners), therefore, are also called <strong>Slaves<\/strong> because they appear as powerful male bodies imprisoned in rock. In the hall of the <strong>Accademia Gallery in Florence<\/strong>, these sculptures are arranged in pairs along the side walls, alternating with other similar works.<\/p>\n\n\n\n<p>The <strong>Accademia Gallery in Florence<\/strong> is the Museum that preserves many of <strong>Michelangelo<\/strong>&#8216;s masterpieces. Here, one can admire the <strong>Young Slave<\/strong>, the <strong>Bearded Slave<\/strong>, the <strong>Awakening Slave<\/strong>, and the <strong>Atlas<\/strong>.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">San Matteo by Michelangelo at the Accademia<\/h2>\n\n\n\n<p>In the <strong>Sala dei Prigioni<\/strong> (<em>Hall of the Prisoners&nbsp;<\/em>), there is also the <strong>San Matte<\/strong>o, another work by <strong>Michelangelo<\/strong>. The project, in this case, was to sculpt all <strong>12 apostles<\/strong> for the <strong><a href=\"http:\/\/accademiagallery.org\/duomo-florence-2\/\" data-type=\"page\" data-id=\"580\">Florence Cathedral<\/a><\/strong>. However, the artist had to abandon the commission again to go to <strong>Rome<\/strong> and follow other assignments. The only partially finished statue, therefore, is that of <strong>San Matteo<\/strong>.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Piet\u00e0 of Palestrina at the Accademia<\/h2>\n\n\n<style>.kb-row-layout-id_beb35c-7b > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id_beb35c-7b > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id_beb35c-7b > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);padding-top:var(--global-kb-spacing-sm, 1.5rem);padding-bottom:var(--global-kb-spacing-sm, 1.5rem);grid-template-columns:minmax(0, 1fr);}.kb-row-layout-id_beb35c-7b > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id_beb35c-7b > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}@media all and (max-width: 767px){.kb-row-layout-id_beb35c-7b > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id_beb35c-7b alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-1-columns kt-row-layout-equal kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column_0406b2-41 > .kt-inside-inner-col,.kadence-column_0406b2-41 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column_0406b2-41 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column_0406b2-41 > .kt-inside-inner-col{flex-direction:column;}.kadence-column_0406b2-41 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column_0406b2-41 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column_0406b2-41{position:relative;}@media all and (max-width: 1024px){.kadence-column_0406b2-41 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column_0406b2-41 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column_0406b2-41\"><div class=\"kt-inside-inner-col\"><style>.kb-image_ebc372-e4 .kb-image-has-overlay:after{opacity:0.3;}<\/style>\n<div class=\"wp-block-kadence-image kb-image_ebc372-e4\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"730\" height=\"480\" src=\"http:\/\/accademiagallery.org\/wp-content\/uploads\/2023\/04\/24.jpg\" alt=\"Accademia Gallery in Florence\" class=\"kb-img wp-image-3111\" srcset=\"https:\/\/accademiagallery.org\/wp-content\/uploads\/2023\/04\/24.jpg 730w, https:\/\/accademiagallery.org\/wp-content\/uploads\/2023\/04\/24-300x197.jpg 300w, https:\/\/accademiagallery.org\/wp-content\/uploads\/2023\/04\/24-18x12.jpg 18w\" sizes=\"auto, (max-width: 730px) 100vw, 730px\" \/><figcaption>Accademia Gallery in Florence<\/figcaption><\/figure><\/div>\n<\/div><\/div>\n\n<\/div><\/div>\n\n\n<p>Before devoting all attention to<strong> Michelangelo<\/strong>&#8216;s great <strong><a href=\"http:\/\/accademiagallery.org\/the-david-by-michelangelo\/\" target=\"_blank\" data-type=\"page\" data-id=\"195\" rel=\"noreferrer noopener\">David<\/a><\/strong>, one must not forget the Piet\u00e0 of Palestrina. Unlike the artist&#8217;s other Piet\u00e0s, the lifeless body of <strong>Jesus Christ<\/strong> is supported by both the <strong>Virgin Mary<\/strong> and <strong>Saint John<\/strong> the <strong>Evangelist<\/strong>.<\/p>\n\n\n\n<p>However, many things could be improved about the attribution of this sculpture to <strong>Michelangelo<\/strong>. Some scholars argue that it is the work of one of his students. On the back, the presence of earlier decorations is noticeable. This leads one to think that the block of marble had already been used for other architectural purposes.<\/p>\n\n\n\n<p>Before becoming part of the <strong>Accademia<\/strong>&#8216;s collection, the Piet\u00e0 adorned the Barberini family chapel in <strong>Palestrina<\/strong>, a town near Rome.<\/p>\n\n\n<style>.kb-row-layout-id_4d2358-52 > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id_4d2358-52 > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id_4d2358-52 > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);padding-top:var(--global-kb-spacing-sm, 1.5rem);padding-bottom:var(--global-kb-spacing-sm, 1.5rem);grid-template-columns:minmax(0, 1fr);}.kb-row-layout-id_4d2358-52 > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id_4d2358-52 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}@media all and (max-width: 767px){.kb-row-layout-id_4d2358-52 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id_4d2358-52 alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-1-columns kt-row-layout-equal kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column_aa7fa4-5b > .kt-inside-inner-col,.kadence-column_aa7fa4-5b > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column_aa7fa4-5b > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column_aa7fa4-5b > .kt-inside-inner-col{flex-direction:column;}.kadence-column_aa7fa4-5b > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column_aa7fa4-5b > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column_aa7fa4-5b{position:relative;}@media all and (max-width: 1024px){.kadence-column_aa7fa4-5b > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column_aa7fa4-5b > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column_aa7fa4-5b\"><div class=\"kt-inside-inner-col\">\n<script async src=\"https:\/\/pagead2.googlesyndication.com\/pagead\/js\/adsbygoogle.js?client=ca-pub-5190790382711375\"\n     crossorigin=\"anonymous\"><\/script>\n<!-- Acc_org -->\n<ins class=\"adsbygoogle\"\n     style=\"display:block\"\n     data-ad-client=\"ca-pub-5190790382711375\"\n     data-ad-slot=\"7280373348\"\n     data-ad-format=\"auto\"\n     data-full-width-responsive=\"true\"><\/ins>\n<script>\n     (adsbygoogle = window.adsbygoogle || []).push({});\n<\/script>\n<\/div><\/div>\n\n<\/div><\/div>\n\n<style>.wp-block-kadence-advancedheading.kt-adv-heading_2a29ad-73, .wp-block-kadence-advancedheading.kt-adv-heading_2a29ad-73[data-kb-block=\"kb-adv-heading_2a29ad-73\"]{font-style:normal;}.wp-block-kadence-advancedheading.kt-adv-heading_2a29ad-73 mark.kt-highlight, .wp-block-kadence-advancedheading.kt-adv-heading_2a29ad-73[data-kb-block=\"kb-adv-heading_2a29ad-73\"] mark.kt-highlight{font-style:normal;color:#f76a0c;-webkit-box-decoration-break:clone;box-decoration-break:clone;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;}.wp-block-kadence-advancedheading.kt-adv-heading_2a29ad-73 img.kb-inline-image, .wp-block-kadence-advancedheading.kt-adv-heading_2a29ad-73[data-kb-block=\"kb-adv-heading_2a29ad-73\"] img.kb-inline-image{width:150px;vertical-align:baseline;}<\/style>\n<h2 class=\"kt-adv-heading_2a29ad-73 wp-block-kadence-advancedheading\" data-kb-block=\"kb-adv-heading_2a29ad-73\">DAVID BY MICHELANGELO IN THE ACCADEMIA GALLERY<\/h2>\n\n\n<style>.kb-row-layout-id_d6f16f-b2 > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id_d6f16f-b2 > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id_d6f16f-b2 > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);padding-top:var(--global-kb-spacing-sm, 1.5rem);padding-bottom:var(--global-kb-spacing-sm, 1.5rem);grid-template-columns:minmax(0, 1fr);}.kb-row-layout-id_d6f16f-b2 > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id_d6f16f-b2 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}@media all and (max-width: 767px){.kb-row-layout-id_d6f16f-b2 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id_d6f16f-b2 alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-1-columns kt-row-layout-equal kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column_c69f22-00 > .kt-inside-inner-col,.kadence-column_c69f22-00 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column_c69f22-00 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column_c69f22-00 > .kt-inside-inner-col{flex-direction:column;}.kadence-column_c69f22-00 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column_c69f22-00 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column_c69f22-00{position:relative;}@media all and (max-width: 1024px){.kadence-column_c69f22-00 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column_c69f22-00 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column_c69f22-00\"><div class=\"kt-inside-inner-col\"><style>.kb-image_570ec6-97 .kb-image-has-overlay:after{opacity:0.3;}<\/style>\n<div class=\"wp-block-kadence-image kb-image_570ec6-97\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"730\" height=\"480\" src=\"http:\/\/accademiagallery.org\/wp-content\/uploads\/2023\/06\/19.jpg\" alt=\"Michaelangelo\" class=\"kb-img wp-image-3092\" srcset=\"https:\/\/accademiagallery.org\/wp-content\/uploads\/2023\/06\/19.jpg 730w, https:\/\/accademiagallery.org\/wp-content\/uploads\/2023\/06\/19-300x197.jpg 300w, https:\/\/accademiagallery.org\/wp-content\/uploads\/2023\/06\/19-18x12.jpg 18w\" sizes=\"auto, (max-width: 730px) 100vw, 730px\" \/><figcaption>David by &#8211; Michaelangelo<\/figcaption><\/figure><\/div>\n<\/div><\/div>\n\n<\/div><\/div>\n\n\n<p>What mainly drives visitors to go to the <strong>Accademia Gallery in Florence<\/strong> is the desire to see <strong>Michelangelo<\/strong>&#8216;s original David. The one in front of <strong><a href=\"https:\/\/www.visitflorencemuseums.com\/palazzo-vecchio\/\" target=\"_blank\" rel=\"noreferrer noopener\">Palazzo Vecchio<\/a><\/strong> is a copy made in the 20th century.<\/p>\n\n\n\n<p>Yes, that&#8217;s correct! The <strong>David<\/strong> is one of the most famous statues in the world, and when it was sculpted, it represented the ideal of male beauty, becoming a symbol of the Renaissance and the <strong>Florentine Republic<\/strong>.<\/p>\n\n\n<style>.kb-row-layout-id3665_7dee47-f9 > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id3665_7dee47-f9 > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id3665_7dee47-f9 > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);padding-top:var(--global-kb-spacing-sm, 1.5rem);padding-bottom:var(--global-kb-spacing-sm, 1.5rem);grid-template-columns:minmax(0, 1fr);}.kb-row-layout-id3665_7dee47-f9 > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id3665_7dee47-f9 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}@media all and (max-width: 767px){.kb-row-layout-id3665_7dee47-f9 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id3665_7dee47-f9 alignnone has-palette-color-6-background-color kt-row-has-bg wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-1-columns kt-row-layout-equal kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column3665_aed628-c7 > .kt-inside-inner-col,.kadence-column3665_aed628-c7 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column3665_aed628-c7 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column3665_aed628-c7 > .kt-inside-inner-col{flex-direction:column;}.kadence-column3665_aed628-c7 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column3665_aed628-c7 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column3665_aed628-c7{position:relative;}@media all and (max-width: 1024px){.kadence-column3665_aed628-c7 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column3665_aed628-c7 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column3665_aed628-c7\"><div class=\"kt-inside-inner-col\"><style>.wp-block-kadence-advancedheading.kt-adv-heading3665_c74396-43, .wp-block-kadence-advancedheading.kt-adv-heading3665_c74396-43[data-kb-block=\"kb-adv-heading3665_c74396-43\"]{text-align:center;font-style:normal;}.wp-block-kadence-advancedheading.kt-adv-heading3665_c74396-43 mark.kt-highlight, .wp-block-kadence-advancedheading.kt-adv-heading3665_c74396-43[data-kb-block=\"kb-adv-heading3665_c74396-43\"] mark.kt-highlight{font-style:normal;color:#f76a0c;-webkit-box-decoration-break:clone;box-decoration-break:clone;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;}.wp-block-kadence-advancedheading.kt-adv-heading3665_c74396-43 img.kb-inline-image, .wp-block-kadence-advancedheading.kt-adv-heading3665_c74396-43[data-kb-block=\"kb-adv-heading3665_c74396-43\"] img.kb-inline-image{width:150px;vertical-align:baseline;}<\/style>\n<h2 class=\"kt-adv-heading3665_c74396-43 wp-block-kadence-advancedheading\" data-kb-block=\"kb-adv-heading3665_c74396-43\"><strong>Florence Travel Guides<\/strong> You May Like &#8211; 2025<\/h2>\n\n\n<style>.kb-row-layout-id3665_dd37d4-10 > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id3665_dd37d4-10 > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id3665_dd37d4-10 > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);padding-top:var(--global-kb-spacing-sm, 1.5rem);padding-bottom:var(--global-kb-spacing-sm, 1.5rem);grid-template-columns:minmax(0, 1fr);}.kb-row-layout-id3665_dd37d4-10 > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id3665_dd37d4-10 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}@media all and (max-width: 767px){.kb-row-layout-id3665_dd37d4-10 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id3665_dd37d4-10 alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-1-columns kt-row-layout-equal kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column3665_8e692a-c2 > .kt-inside-inner-col,.kadence-column3665_8e692a-c2 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column3665_8e692a-c2 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column3665_8e692a-c2 > .kt-inside-inner-col{flex-direction:column;}.kadence-column3665_8e692a-c2 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column3665_8e692a-c2 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column3665_8e692a-c2{position:relative;}@media all and (max-width: 1024px){.kadence-column3665_8e692a-c2 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column3665_8e692a-c2 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column3665_8e692a-c2\"><div class=\"kt-inside-inner-col\">\n<div data-gyg-widget=\"auto\" data-gyg-partner-id=\"Z35Q282\" data-gyg-cmp=\"accademia_org_blog\"><\/div>\n<\/div><\/div>\n\n<\/div><\/div><\/div><\/div>\n\n<\/div><\/div>\n\n\n<h2 class=\"wp-block-heading\">History of Michelangelo&#8217;s David<\/h2>\n\n\n\n<p>The story of this sculpture began in 1501 when <strong>Michelangelo<\/strong> was commissioned to create a statue to be placed on a buttress outside the apse of the <strong><a href=\"http:\/\/accademiagallery.org\/duomo-florence-2\/\" target=\"_blank\" data-type=\"page\" data-id=\"580\" rel=\"noreferrer noopener\">Cathedral of Santa Maria del Fiore<\/a><\/strong>.<\/p>\n\n\n\n<p>The block of marble, coming from <strong>Carrara<\/strong>&#8216;s quarries, presented some imperfections and was full of holes, which made it easily crumble. Despite everything, the artist decided to use it anyway and began sculpting it in the current Museum of the <strong>Opera del Duomo courtyard<\/strong>.<\/p>\n\n\n\n<p>The artist depicted <strong>David<\/strong>, the young <strong>Jewish shepherd<\/strong>, the future king of Israel, about to fight against the giant <strong>Goliath<\/strong> of the Philistine people. According to the story, <strong>David<\/strong> struck the giant with a stone thrown from his sling and then beheaded him.<\/p>\n\n\n\n<p>The symbolism of <strong>Michelangelo<\/strong>&#8216;s David is complex and multifaceted. The statue has been interpreted in many different ways, depending on the historical and cultural context in which it is viewed.<\/p>\n\n\n\n<p>At its creation, the <strong>David<\/strong> was seen as a symbol of the <strong>Florentine Republic<\/strong>&#8216;s defiance against Italy&#8217;s more extensive and powerful city-states. It represented the ideal of the firm and <strong>virtuous citizen-soldier<\/strong>, willing to defend his home and his people against any threat.<\/p>\n\n\n\n<p>The statue&#8217;s nudity was also significant, as it reflected the classical ideal of physical beauty and perfection, which was seen as a sign of moral purity and intellectual refinement. David&#8217;s nudity also emphasized his vulnerability and exposed him to the viewer&#8217;s gaze, making him a symbol of the vulnerability and fragility of the<strong> Florentine Republic<\/strong>.<\/p>\n\n\n\n<p>Today, <strong>David<\/strong> is seen as a universal symbol of human beauty, strength, and resilience, as well as a testament to the artistic and cultural achievements of the Renaissance. It continues to inspire and captivate viewers from all over the world and remains one of the most beloved and iconic works of art in human history.<\/p>\n\n\n<style>.kb-row-layout-id_ef41ab-82 > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id_ef41ab-82 > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id_ef41ab-82 > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);padding-top:var(--global-kb-spacing-sm, 1.5rem);padding-bottom:var(--global-kb-spacing-sm, 1.5rem);grid-template-columns:minmax(0, 1fr);}.kb-row-layout-id_ef41ab-82 > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id_ef41ab-82 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}@media all and (max-width: 767px){.kb-row-layout-id_ef41ab-82 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id_ef41ab-82 aligncenter wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-1-columns kt-row-layout-equal kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column_e520da-45 > .kt-inside-inner-col,.kadence-column_e520da-45 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column_e520da-45 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column_e520da-45 > .kt-inside-inner-col{flex-direction:column;}.kadence-column_e520da-45 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column_e520da-45 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column_e520da-45{position:relative;}@media all and (max-width: 1024px){.kadence-column_e520da-45 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column_e520da-45 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column_e520da-45\"><div class=\"kt-inside-inner-col\">\n<div data-tiqets-widget=\"discovery\" data-cards-layout=\"responsive\" data-content-type=\"product\" data-item_count=\"3\" data-destination-type=\"venue\" data-destination-id=\"145746\" data-partner=\"accademiagallery.org\"><\/div><script defer src=\"https:\/\/widgets.tiqets.com\/loader.js\"><\/script>\n<\/div><\/div>\n\n<\/div><\/div>\n\n\n<h2 class=\"wp-block-heading\">Copies of Michelangelo&#8217;s David<\/h2>\n\n\n\n<p>There are copies of <strong>Michelangelo<\/strong>&#8216;s <strong>David<\/strong> worldwide, but they differ from the original. The most famous reproduced statue is located in <strong>Piazza della Signoria<\/strong>. It was created in 1910 by Luigi Arrighetti, who won the public competition organized for this purpose.<\/p>\n\n\n\n<p>Another colossal replica can be found on the scenic <strong><a href=\"https:\/\/www.visitflorencemuseums.com\/piazzale-michelangelo\/\" target=\"_blank\" rel=\"noreferrer noopener\">Piazzale Michelangelo<\/a><\/strong> in Florence, on the hills beyond the <strong>Arno River<\/strong>. In the United States, those at the <strong>Los Angeles cemetery<\/strong>, the Caesar&#8217;s <strong>Palace casino in Las Vega<\/strong>s, and the Academy of Fine Arts in <strong>Philadelphia<\/strong> are top-rated.<\/p>\n\n\n\n<p>One must remember the so-called censored <strong>David<\/strong>, displayed at the Italian Pavilion at <strong>Expo 2026 in Dubai<\/strong>. However, this case is a sculpture made with a <strong>3D<\/strong> printer and covered with marble dust.<\/p>\n\n\n<style>.kb-row-layout-id_1bc5cc-2c > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id_1bc5cc-2c > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id_1bc5cc-2c > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);padding-top:var(--global-kb-spacing-sm, 1.5rem);padding-bottom:var(--global-kb-spacing-sm, 1.5rem);grid-template-columns:minmax(0, 1fr);}.kb-row-layout-id_1bc5cc-2c > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id_1bc5cc-2c > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}@media all and (max-width: 767px){.kb-row-layout-id_1bc5cc-2c > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id_1bc5cc-2c alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-1-columns kt-row-layout-equal kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column_52acab-a3 > .kt-inside-inner-col,.kadence-column_52acab-a3 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column_52acab-a3 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column_52acab-a3 > .kt-inside-inner-col{flex-direction:column;}.kadence-column_52acab-a3 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column_52acab-a3 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column_52acab-a3{position:relative;}@media all and (max-width: 1024px){.kadence-column_52acab-a3 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column_52acab-a3 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column_52acab-a3\"><div class=\"kt-inside-inner-col\">\n<script async src=\"https:\/\/pagead2.googlesyndication.com\/pagead\/js\/adsbygoogle.js?client=ca-pub-5190790382711375\"\n     crossorigin=\"anonymous\"><\/script>\n<!-- Acc_org -->\n<ins class=\"adsbygoogle\"\n     style=\"display:block\"\n     data-ad-client=\"ca-pub-5190790382711375\"\n     data-ad-slot=\"7280373348\"\n     data-ad-format=\"auto\"\n     data-full-width-responsive=\"true\"><\/ins>\n<script>\n     (adsbygoogle = window.adsbygoogle || []).push({});\n<\/script>\n<\/div><\/div>\n\n<\/div><\/div>\n\n\n<h2 class=\"wp-block-heading\">Plaster Cast Gallery of Accademia Gallery<\/h2>\n\n\n<style>.kb-row-layout-id_10475f-bb > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id_10475f-bb > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id_10475f-bb > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);padding-top:var(--global-kb-spacing-sm, 1.5rem);padding-bottom:var(--global-kb-spacing-sm, 1.5rem);grid-template-columns:minmax(0, 1fr);}.kb-row-layout-id_10475f-bb > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id_10475f-bb > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}@media all and (max-width: 767px){.kb-row-layout-id_10475f-bb > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id_10475f-bb alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-1-columns kt-row-layout-equal kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column_eea5ea-3a > .kt-inside-inner-col,.kadence-column_eea5ea-3a > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column_eea5ea-3a > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column_eea5ea-3a > .kt-inside-inner-col{flex-direction:column;}.kadence-column_eea5ea-3a > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column_eea5ea-3a > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column_eea5ea-3a{position:relative;}@media all and (max-width: 1024px){.kadence-column_eea5ea-3a > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column_eea5ea-3a > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column_eea5ea-3a\"><div class=\"kt-inside-inner-col\"><style>.kb-image_51fe03-ee .kb-image-has-overlay:after{opacity:0.3;}<\/style>\n<div class=\"wp-block-kadence-image kb-image_51fe03-ee\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"730\" height=\"480\" src=\"http:\/\/accademiagallery.org\/wp-content\/uploads\/2023\/04\/23.jpg\" alt=\"Accademia Gallery in Florence\" class=\"kb-img wp-image-3108\" srcset=\"https:\/\/accademiagallery.org\/wp-content\/uploads\/2023\/04\/23.jpg 730w, https:\/\/accademiagallery.org\/wp-content\/uploads\/2023\/04\/23-300x197.jpg 300w, https:\/\/accademiagallery.org\/wp-content\/uploads\/2023\/04\/23-18x12.jpg 18w\" sizes=\"auto, (max-width: 730px) 100vw, 730px\" \/><figcaption>Plaster Cast Gallery of Accademia Gallery in Florence<\/figcaption><\/figure><\/div>\n<\/div><\/div>\n\n<\/div><\/div>\n\n\n<p>On either side of the central tribune of the David, the two wings of the <strong><a href=\"http:\/\/accademiagallery.org\/gipsoteca-bartolini\/\" target=\"_blank\" data-type=\"page\" data-id=\"355\" rel=\"noreferrer noopener\">Gipsoteca <\/a><\/strong>(plaster cast Gallery) of the Gallery extend. It is a series of busts and total figures that <strong>Lorenzo Bartolini<\/strong>, a professor at the <strong>Academy<\/strong>, created for Tuscan artists and wealthy aristocrats, not just Florentines. On these clay models, he then placed nails, of which the holes can still be seen, which served as a reference for sculpting marble works.<\/p>\n\n\n\n<p>Admiring these models, one can discover the clothing and hairstyles of the time, often inspired by classical styles.<\/p>\n\n\n\n<p>One of the paintings on the walls of the <strong>Gipsoteca<\/strong> depicted these rooms when they were used as wards for the women&#8217;s section of the <strong>San Matteo hospital<\/strong>.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Musical Instruments of the Accademia Gallery<\/h2>\n\n\n\n<p>The section dedicated to ancient musical instruments boasts several rare pieces, once belonging to the <strong>Medici, Lorraine<\/strong>, and <strong>Grand Dukes of Tuscany<\/strong>. Among them, one can admire the viola and cello of Antonio Stradivari and a Stradivari violin from <strong>1716<\/strong>.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Other Rooms Of the Accademia Gallery<\/h2>\n\n\n\n<p>The <strong>Accademia Gallery in Florence<\/strong> also exhibits collections of <strong>Byzantine icons<\/strong>, paintings from the late <strong>14th century,<\/strong> and Florentine Gothic. Works of important artists of the time are displayed, such as <strong>Giovanni del Biondo<\/strong>, <strong>Lorenzo Bicci<\/strong>, <strong>Mariotto di Nard<\/strong>o, and <strong>Orcagna<\/strong>.<\/p>\n\n\n\n<p>With the <strong><a href=\"https:\/\/www.visitflorencemuseums.com\/uffizi-gallery\/\" target=\"_blank\" rel=\"noreferrer noopener\">Uffizi Gallery,<\/a><\/strong> the <strong>Accademia<\/strong> is undoubtedly one of the most popular and beloved museums in Florence by visitors&#8230; and being in the presence of many Renaissance masterpieces is a great emotion&#8230;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>What to see in Accademia Gallery in Florence The Accademia Gallery is one of the most important museums in Florence, with art and sculptural masterpieces by leading Renaissance artists, including the fantastic David by Michelangelo. History of the Accademia Gallery in Florence The Accademia Gallery was started by Grand Duke Leopold of Lorraine in 1784 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3099,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[18],"tags":[],"class_list":["post-2836","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bolg"],"blocksy_meta":[],"_links":{"self":[{"href":"https:\/\/accademiagallery.org\/es\/wp-json\/wp\/v2\/posts\/2836","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/accademiagallery.org\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/accademiagallery.org\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/accademiagallery.org\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/accademiagallery.org\/es\/wp-json\/wp\/v2\/comments?post=2836"}],"version-history":[{"count":0,"href":"https:\/\/accademiagallery.org\/es\/wp-json\/wp\/v2\/posts\/2836\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/accademiagallery.org\/es\/wp-json\/wp\/v2\/media\/3099"}],"wp:attachment":[{"href":"https:\/\/accademiagallery.org\/es\/wp-json\/wp\/v2\/media?parent=2836"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/accademiagallery.org\/es\/wp-json\/wp\/v2\/categories?post=2836"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/accademiagallery.org\/es\/wp-json\/wp\/v2\/tags?post=2836"}],"curies":[{"name":"Gracias","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}